Unicorn at the Soup Factory
As a casting director, I’ve been in a unique position to advocate for TGNC actors—and for myself.
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As a casting director, I’ve been in a unique position to advocate for TGNC actors—and for myself.
TheatreWorks Silicon Valley’s new artistic director tries to balance with nimbleness with caution as he looks toward an uncertain future.
The complete text of speeches by Jamil Jude, Monique Holt, and Nikkole Salter that opened last week’s TCG 2020 virtual conference.
After 15 years at Steppenwolf, Schmitz will begin his new post at Oregon Shakespeare Festival in September.
Flanagan succeeds David Schmitz to become the first woman to hold the title in the company’s 45-year history.
If we can’t have theatre until we can gather again safely, what are U.S. theatres and artists going to do in the meantime, and after?
A classicist at heart, the beloved dramaturg and translator was also a fierce champion and close reader of new work.
He started as an actor and became a visionary director of classics, chiefly though not exclusively by Shakespeare.
The Texas-born, Oregon-based playwright imagines a Steinbeck sequel with timely resonance.
What is ‘white space,’ and what is the FCC doing about theatre’s ever-crowding sound systems? An explainer.