The Real Movement Was Where We Weren’t Looking
We shouldn’t mistake the end of a funding arrangement for the end of the culture that funding once carried.
We shouldn’t mistake the end of a funding arrangement for the end of the culture that funding once carried.
The historic Providence theatre’s artistic director, whose last play at its leader is ‘The Getaway Driver,’ recalls his two-decade tenure, and talks about what’s next.
A report from Shepherdstown, where it’s all new all the time. Plus: thoughts on the Oskar Eustis bombshell and what it says about our role in the movement.
A roundup of comings and goings at the top of U.S. theatre institutions.
November recalls the play Lincoln first saw Booth in, Kern’s Princess Theatre musicals, a Puerto Rican literary godfather, a gospel Oedipus musical, and a century-defining epic.
At Trinity Rep, Hall built a questing, adventurous theatre and brought a company of actors, and Providence audiences, along with him.
A new book documents Oskar Eustis’s regime at the pivotal New York theatre, with its heady mix of idealism, triumph, compromise, and controversy.
In this excerpt from a new bio of the writer/director, she recalls how she created one of the American theatre’s seminal documentary theatre texts.
Onstage and off, TCG is integral to the nation’s theatre organizations and communities, and vice versa.
The artistic director of the Public Theater will be celebrated at a ceremony later this month.