Not Always a Punchline: Ryan J. Haddad’s ‘Dark Disabled Stories’
In his latest play, published in full in our Fall print edition, the writer/performer probes implicit ableism and the assumptions we make about people we’ll never really know.
All Stories About Public Theater
Public Theater BIPOC Critics Lab Welcomes 12 New Journalists
Cohort members will train under the instruction of Jose Solís and other experts in the journalism field, and will have written a commissioned piece by the end of the program.
Ryan J. Haddad, Star of His Own Life
His latest autobiographical comedy at the Public, ‘Dark Disabled Stories,’ is being designed with access in mind, even as it gets down and dirty about the ways society views and treats disabled people.
Drama, Onstage and Off, at the Public Theater
A new book documents Oskar Eustis’s regime at the pivotal New York theatre, with its heady mix of idealism, triumph, compromise, and controversy.
NY’s January Festivals: Reunited, and It Feels So Different
Under the Radar, Exponential, and Prototype at last returned in person this year, and the pickings were as unexpected and various as ever.
Jordan E. Cooper’s ‘Ain’t No Mo’’ Lands on Broadway After Regional Layover
What began as a dark thought experiment—what if Black folks just left America and its racist violence behind?—has grown into a scathing satire that speaks to something deep inside audiences.
Suzan-Lori Parks: Make Space for the Difficult Things
With 3 world premieres and a Broadway revival of her hit play ‘Topdog/Underdog,’ the prolific writer keeps singing her song in a variety of keys.
Robert O’Hara Puts Nothing on a Pedestal, Least of All the Canon
This busy writer-director, known for new works, is now staging ‘A Raisin in the Sun’ at the Public, but it’s more a case of continuing a legacy of Black iconoclasm than a new career phase.
Erika Dickerson-Despenza Crafts Ntozake Shange Social Justice Theatre Residency
Established to recognize a woman, femme, trans, or non-binary playwright of the African diaspora, the residency will provide a salary with benefits and full support to pursue creative work.
Why Keep Doing Shakespeare? Maybe That’s the Wrong Question
From the Public Works ‘As You Like It’ to upstart crow’s ‘King John’ at Oregon Shakes to ‘Mother Lear’ at Brooklyn Botanic Garden, the Bard remains powerful currency; it’s how it’s spent that matters.
