Mia Katigbak, Actor-Manager
This busy performer-producer set out to establish a company for Asian American actors, and ended up a New York City theatre staple herself.
This busy performer-producer set out to establish a company for Asian American actors, and ended up a New York City theatre staple herself.
In a clutch of Off-Broadway shows, women in intimate or secluded spaces reckon with themselves and others.
The playwright and director from Hawaii and Nevada discusses ‘Death Play,’ ‘Sumo,’ yearning, loneliness, and the wisdom of accepting loss.
Applications are now open for the first bicoastal 2026-27 BIPOC Critics Lab cohort, as the 2025-26 cohort completes their training.
How 2 Russian directors and 1 American one are making Chekhov’s work speak to the moment, and how a seasoned community-based theatremaker is having a ball on Broadway.
Our 2025 holiday stocking is stuffed: We chat with the writer/star of ‘Ain’t No Mo’ and ‘Oh Happy Day!,’ with the director and star of the Alley’s ‘Night Shift Before Christmas,’ and with award-winning critic-producer Citlali Pizarro.
A new musical based on Thornton Wilder’s 1942 epic ‘The Skin of Our Teeth’ aims to bring the original’s absurdities closer to home.
On this episode the editors dive deep into our fall AT issue with dramaturg/journalist Dezi Tibbs, then dig into Latin American representation with playwright-performer John Leguizamo.
Arts organizations, including dozens of theatre companies, had NEA grants withdrawn or terminated late last week, and leadership resignations at the endowment bode ill.
2 auspicious births (Al Pacino, Bill Irwin), a Shepard premiere, a ‘Hedwig’ closing, and a Covid anniversary.