The season will feature a world premiere play by Suzan-Lori Parks and a new Bob Dylan musical.
Do a crop of inward-looking new plays about white privilege represent a step forward, or are they an expression of privilege in themselves?
Creating a safe and inclusive working environment should be a high a priority as any other policy or program within our organizations.
Four fundraisers talk about what keeps them going, and what it takes to keep the arts alive.
Three theatres that didn’t let a crisis stop them—or go to waste.
Given the chance to play Claudio as a black man, neither I nor our production took the racial implications lightly.
The crushing homogeneity of theatre criticism means it’s missing crucial perspectives—and its relevance to readers.
The grants will give extra rehearsal time for 10 productions of new works.
Plays on some pet presidential subjects—immigration, U.S. history, the presidency itself—stir uneasy new resonances.
American plunder didn’t begin with this administration. Our theatrical dissent must be grounded in a holistic critique of state violence.