Nothing That’s Not Been Said: On Sondheim
His path-breaking musicals have handily outlasted their detractors, in part because they remain so singularly alive.
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His path-breaking musicals have handily outlasted their detractors, in part because they remain so singularly alive.
This month Brian talks to the author of ‘Doubt’ and ‘Moonstruck’ about the struggles of his early years and the hard-won wisdom of his later ones.
The stars of ‘Dana H.’ and ‘Is This A Room’ talk about their approach to 2 very different but similarly challenging real-life characters.
A new study from SMU DataArts found the metrics of success for smaller, community-oriented theatres to be both similar and different from their larger peers.
How 2 arts organizations of color, Apollo Theater and Cultural Odyssey, have persevered despite funding disparities and other challenges.
TCG’s THRIVE! regranting program, led by the needs and concerns of BIPOC artists and leaders, aims to rewrite the theatre funding process.
Jenny Koons and Sam Pinkleton’s immersive new staging returns the fanciful show to its original conception.
As theatres seek new leaders, some are also trying out different leadership models.
Dana Schwartz’s new play about online gamers, originally conceived pre-pandemic, has fresh resonance after a year of isolation and virtual connection.
This year’s festival, with a surfeit of plays by Jeton Neziraj, reflected the deep skepticism of a young country born of European conflict.