Let Us Show You Our Bottoms (and Titanias)
The flowery bed where a donkey-man and a fairy queen meet cute is an iconic Shakespearean image, so it’s no surprise it’s graced our cover so often.
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The flowery bed where a donkey-man and a fairy queen meet cute is an iconic Shakespearean image, so it’s no surprise it’s graced our cover so often.
This week, Offscript hosts a critic’s panel on Joshua Harmon’s play ‘Bad Jews.’ Plus, the editors discuss artists’ compensation and when you should work for free.
Annie Baker’s disorienting experience with a digital showing of ‘Fanny and Alexander’ fueled her play ‘The Flick.’ IFC has invited her back for a 35mm screening and a chat.
In dramatizing questions about the man whose beating by police incited riots, solo artist Roger Guenveur Smith finds story that’s deeply American—and quintessentially L.A.
For their version of “Phantom of the Opera,” Vox Lumiere combined steampunk and silent film, and no white mask.
From its storefront start to its current status as a linchpin of its hometown’s newest arts district, Everyman Theatre has kept its focus on local actors and literate audiences.
Alongside the expected onslaught of holiday fare, both traditional and alternative, come a few other dark, wintry visitors—witches, beasts, tyrants, serial killers and Cruella Deville.
Death on a stick: The Old Trout Puppet Workshop brings its irreverent but strangely moving “Famous Puppet Death Scenes” to Woolly Mammoth.
The authors’ presence was elusive yet unmistakable, in two wildly different ways, in two pieces seen at the recent Philadelphia FringeArts fest.
The Writer’s Army creates low-cost, distraction-free writing spaces, coffee included (but snacks extra). Could this model catch on?