Heavy-Hitting ‘Hammer Trilogy’ Envisioned as an American King Arthur Myth
Fantasy and mythology cross-breed with early American history in Nathan Allen’s ambitious three-play series, now at last running in repertory.
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Fantasy and mythology cross-breed with early American history in Nathan Allen’s ambitious three-play series, now at last running in repertory.
Expanding its offerings to a second week, the Denver Center’s annual new-play meeting gives featured writers more time to get their plays in shape—many of them for the mainstage.
The Irish playwright talks about the ‘supernaturalism of the everyday,’ and about structure and ghosts and Dickens.
Veteran composer John Kander talks and emerging talent Nick Blaemire, both with new musicals at Arlington’s Signature Theatre this month, trade thoughts about the state of musical theatre.
The event offers $15-30 tickets to more than 100 productions at Chicago theatres, and experts and theatre leaders say it’s putting more (and new) butts in seats.
As the battle over L.A.’s non-remunerative 99-seat plan comes to a head, players on either side have radically different prognoses for the health of the city’s sprawling theatre scene.
The longtime Dallas theatre artist, who’s worked with the Latino/Chicano theatre for a year, will join the leadership team with a.d. David Lozano.
Slate includes revivals of Sondheim’s ‘Sunday in the Park With George’ and ‘The Fantasticks,’ as well as a new-works fest and world premieres by Michael Benjamin Washington and D. Tucker Smith.
The actress, now starring in ‘End of the Rainbow’ at International City Theatre, talks about learning to love Judy and why working in real estate wasn’t right for her.
To replace its longtime a.d., the venerable Minneapolis company taps an actor/director with a wide-ranging—you might even say ‘diverse’—history in U.S. resident theatres.