Encuentro 2014 Makes a National Case for Latino Theatre
An historic gathering of Latina/o theatremakers put the focus firmly on the work and let the politics—including the identity politics—emerge, or not, from there.
All Stories About Showcase
Onstage This Week: Nov. 17-24
Amid the usual early trickle of holiday shows both strange and familiar are more intense fare: plays tackling meaty historical themes, some sweeping musicals, and piercing, intimate dramas.
No Next Season for Next Theatre
Artistic directors Jenny Avery and Jason Loewith reflect on what made the Evanston theatre special, and why it ended this week.
Know a Theatre: Dad's Garage of Atlanta
A lap dance from a peanut-butter-covered werewolf? A hip-hop Dickens intervention? No wonder this comedy storefront attracts a young, rowdy ATL audience.
O’Neill, Kennedy Center, NNPN and SDC Foundation Create New Fellowship for Emerging Directors
Expanding its mission beyond developing playwrights, the O’Neill will accept applications in January for its first National Directors Fellowship.
Humana Fest's 2015 Lineup: Mee on Merton, Bluegrass, Pig Iron and More
Humana’s next season brings in new voices and a few returning favorites. New and notable this time: a slightly more pronounced Kentucky twang.
Chicago Shakes Gets President's Award for Its Teen Theatre Program
CPS Shakespeare!, which puts underserved high schoolers into fully staged productions on the Chicago Shakes stage, is recognized for its unique impact.
August Wilson Center Back on Track for Second Act
After a last-minute scare with the bank, the long-troubled Pittsburgh arts center is in the hands of local foundations, with ambitious plans to get it right this time.
Joanna Settle's Unsettling Year
She took a new job in a new city, bought a new home—and then got a breast cancer diagnosis. She’s getting by with a little from her friends, including Sam Beckett.
Inside the Exploded Piano of Fiasco Theater's 'Into the Woods'
In a new reimagining of Lapine and Sondheim’s fairy-tale musical, 11 actors play all the roles and all the instruments—and the set itself is an instrument.
