As 1 of 3 leaders at the influential NY theatre, she spent the last 4 years helping it realize outsized ambitions, both onstage and on the balance sheet.
The playwright of ‘Montag’ and ‘THUNDERBODIES’ talks about insisting on sustainability, identifying as a writer, and the art of listening.
In excerpts from a new book, the British-born director talks about childhood mysteries, the theatre buildings he’s worked in, and his fascination with erasure and contradictions.
When this go-to choreographer is doing his storytelling job right, you may not even notice the dancing at all—but he’s got more moves in store.
The theatre’s new literary magazine features writing by artists as well as administrators, looking inward at the institution at a time of challenge and change.
Theatre folks mourn closed shows and unseen work, and worry over the impact on emerging artists.
Four theatres will join the New York-based company in programming work centering Asian American artists and performers.
Peponides new role is director, artistic development and producing.
Onstage and off, TCG is integral to the nation’s theatre organizations and communities, and vice versa.
If people of color were able to speak freely in a theatrical space, what would we say? Jackie Sibblies Drury’s play offers a compelling answer.