Leadership Changes at TFANA, Roundabout, Studio, NYU Tisch, Court
A roundup of comings and goings at the top of U.S. theatre institutions.
A roundup of comings and goings at the top of U.S. theatre institutions.
Taylor Mac, whose new play ‘Prosperous Fools’ is loosely inspired by ‘Le Bourgeois gentilhomme,’ and Jeffrey Hatcher, who has a new adaptation of ‘The Imaginary Invalid,’ talk satire, philanthropy, and healthcare.
The company’s former associate artistic director will step up when founding artistic director Jeffrey Horowitz departs in August.
After overseeing another season of classical and contemporary work, he’ll step down from leading the NYC-based classical theatre he founded in 1979.
The festival’s leader accounts for what has been lost and gained from the “divorce” from the Public Theater, and what this year’s multi-venue iteration has in store.
Box office isn’t the main revenue source for most nonprofit theatres, nor is pricing the biggest barrier for most patrons—but both sides of this exchange could benefit from more transparency.
Over the past year, no fewer than 10 shows on both sides of the Atlantic have addressed the historical rise of Nazism and/or the troubling resurfacing of antisemitism.
Known for her lively, no-gimmick stagings of Shakespeare with Theatre for a New Audience, the director is branching out with ‘Des Moines.’
From goofy musicals to meaty and instructive dramas, 4 shows stand in for the disparate ambitions and uses of theatre.
As the director of a new production at TFANA, Timpo joins the project of belatedly celebrating a great but largely overlooked American playwright.