Speeches by Susan Medak and Jeff Chang challenged the field to face its divisions, and our culture’s.
The conference in Stumptown kicks off with a look back and a bracing glimpse at Oregon stories.
Setting Shakespeare’s tragedy in Persia isn’t just an aesthetic choice for the Iranian-American actor; it’s an existential one.
In six plays at Open Fist Theatre, a middle-aged actor with a murdered son goes to hell (literally) and back, and many points between.
Time Out New York’s longtime theatre editor leaves a legacy of incision and advocacy, and has no plans to go silent.
If you can gauge a nation’s health by its theatre, China looks vital, youthful—and ambivalent.
The legendary Taiwanese writer/director looks back on his long career, and discusses how American theatre compares to Chinese theatre.
The longtime Newsday fixture—for decades New York’s only female first-string theatre critic—says she’s resigning, not retiring.
Arts journalism is fighting for its life, but it’s well past time to invite new voices to join the fray.
The writer/performer’s new show at Dixon Place promises a carnival ride through a memoir’s revelations.