‘Political theatre’ should not be an automatic putdown; both politics and theatre can lie or speak truth, depending on how they’re used.
The Washington Post columnist and playwright discusses her influences, the election, and the Welders.
Brenda Withers’s new play, set in 19th-century Russia, is inspired by her theatre’s experiences with feedback on Cape Cod.
TCG’s third plenary thought globally and celebrated locally, with Stephen Karam, Nikkole Salter, Deaf West Theatre, and more.
Why reprint a 20-year-old speech? Less to show how far we’ve come (or not) than to marvel at what a great artist still has to say to us now.
August Wilson’s widow is poised for new generations to reimagine the American Century Cycle.
Our Production Notebook feature has expanded to offer a deep dive into all aspects of stagecraft.
As ever, most of Broadway’s biggest awards will go to shows nurtured by nonprofits.
After a national search, the Bay Area daily hires a young local writer who’s shown herself to be both enthusiast and gadfly.
Though the regions’ names suggest they lack their own centers of gravity, culture helps forge a common identity in spite of war, plunder, and devastation.