Zelda Fichandler wasn’t just a founder of the American resident theatre movement; she was also one of its most clear-eyed critics.
Is the American playwriting glass half full, or half empty? Drink up this special issue before you answer.
In ‘A Mexican Trilogy,’ the actor/playwright tells the story of a family, and a people, with her own creative family, the Latino Theater Company.
‘Political theatre’ should not be an automatic putdown; both politics and theatre can lie or speak truth, depending on how they’re used.
The Washington Post columnist and playwright discusses her influences, the election, and the Welders.
Brenda Withers’s new play, set in 19th-century Russia, is inspired by her theatre’s experiences with feedback on Cape Cod.
TCG’s third plenary thought globally and celebrated locally, with Stephen Karam, Nikkole Salter, Deaf West Theatre, and more.
Why reprint a 20-year-old speech? Less to show how far we’ve come (or not) than to marvel at what a great artist still has to say to us now.
August Wilson’s widow is poised for new generations to reimagine the American Century Cycle.
Our Production Notebook feature has expanded to offer a deep dive into all aspects of stagecraft.