Seattle Children’s Theatre Pulls Kennedy Center Run of ‘Bruce Lee Story’
Originally set for a 2-week presentation at the Kennedy Center, the new TYA play by Keiko Green now, instead, hopes to extend its Seattle run.
Originally set for a 2-week presentation at the Kennedy Center, the new TYA play by Keiko Green now, instead, hopes to extend its Seattle run.
A former student and colleague remembers Shakespeare & Co.’s founder as a mind-blowing, career-shaping teacher, leader, and model.
The prolific L.A. playwright chats about his newest autobiographical play, ‘My Son the Playwright,’ and how his family has shaped his artistry.
This month we talk to the new artistic director of Dallas Theater Center and to the co-editors of a new online publication covering Off-Broadway.
The collaboration aims to fill healthcare gaps for Equity actors and stage managers who need one more week of work to secure their coverage.
Karin Coonrod explains why ‘King Lear’ is apocalyptic but not bleak, and a new staging of an iconic film returns it to its theatrical roots.
A roundup of prizes, fellowships, and other recognitions.
The versatile actor-writer talks about his autobiographical solo show, ‘How Shakespeare Saved My Life,’ which plays at 3 theatres this year.
Ty Defoe and All My Relations Collective’s new show, seen last year in 2 cities, uses puppetry, dance, and multimedia to tell a story of belonging.
This New Jersey company commissions and stages topical new plays but doesn’t claim ‘world premiere’ status, giving playwrights a safe place to work and students a place to learn about new-work development.