Don’t Believe in Yesterday, Learn From It
As we look forward to this year’s theatre season across the U.S., our Fall issue also takes stock of lessons from history.
As we look forward to this year’s theatre season across the U.S., our Fall issue also takes stock of lessons from history.
The prolific Lauren Gunderson is back on top for the third time (*26 due to ties; list does not count works by Shakespeare).
Kiss a fish! The post-9/11 musical ‘Come From Away’ takes the top spot in its first appearance on our list, followed closely by ‘Primary Trust’ and ‘Eureka Day.’
In the first edition of our new column: a dive into some data about the coming theatre season across the U.S. and in NYC.
The vaccination-themed farce, born at Berkeley’s Aurora Theatre Company and acclaimed nationwide, is back with a lot of its original team—but not at the original theatre, which has shut down.
A new production facility in a nearby suburb was devastated by water damage, even as the theatre’s main downtown complex is on track to unveil a new renovation.
The Contemporary American Theater Festival is now the only U.S. gathering of its kind that fully stages all its offerings—and that matters more now.
A monthly gathering produced by the American Playwriting Foundation channels stories of the U.S. immigration system with the unique theatrical urgency of in-ear verbatim technique.
As one artistic director hands the reins to another, both reflect on the storied NYC theatre’s legacy, aesthetic, and future.
A seasoned regional theatre leader who currently serves as managing director of San Francisco’s ACT, Bielstein is at last taking a leadership role in her home state.