Letters for July/August 2018
‘Our Town’ is not wasted on the young, and fatness onstage should be embraced in all its implications.
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‘Our Town’ is not wasted on the young, and fatness onstage should be embraced in all its implications.
Founded in 1998, the Twin Cities company is focused on exploring and advancing musical theatre.
As Actors’ Equity prepares to announce a new name for its beloved Broadway ceremony, here’s a look at why they made the change.
American Players Theatre’s production of Athol Fugard’s play about mixed-race brothers has raised thorny questions about representation.
Company One’s director of new work questions everything, including herself.
From a theatremaker/filmmaker in Chicago to a New York City casting director, here are some theatre workers to have on your radar.
From the opening of new theatres in L.A. and in the Great Smoky Mountains to the start of Tim Dang’s tenure at East West Players, July was a noteworthy month for theatre.
Maria Manuela Goyanes will be the new artistic director of D.C.’s Woolly Mammoth Theatre Company.
In Dallas, teens band together to devise a play about gun violence, built on 30+ interviews with victims and NRA members.
A conversation with the playwright about music, memory, and family.