Moved to Silence
A good mime, asserted the late Marcel Marceau, trains to be an athlete of the heart.
Support American Theatre! A just and thriving theatre ecology begins with information for all. Make a fully tax-deductible donation today! Join TCG to ensure you get AT's return to print in your mailbox.
A good mime, asserted the late Marcel Marceau, trains to be an athlete of the heart.
Ten performers analyze the training regimens that animate them on stage.
U.S. movement teachers prefer either a hybrid or an integration of disciplines in the service of training the actor’s body.
Memories of 2 men who infused ‘Fiddler on the Roof’ with their own smiling, brilliant personalities.
What if theatres stopped using actors’ gender, age, race and body type to assign roles?
Authenticity and connection were elusive goals for Michael John Garcés. Then he landed at the helm of Cornerstone.
Philip Himberg’s Sundance theatre lab is angling to become the American theatre’s premiere new-work development center. Is it working?
Plays for children as young as one? European artists lead the way, but U.S. companies are catching up.
Molly Smith puts Arena Stage and the nation face to face.
Theatremakers at this year’s TCG National conference gathered to face today’s challenges much as its host city, Chicago, always has: by getting down to business and building from below.