Voices from the Trenches: Theatre Entrepreneurs in Their Own Words
13 theatre artists (and those who teach them) share tips and tales about working in the field.
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13 theatre artists (and those who teach them) share tips and tales about working in the field.
The star of Broadway’s “Ghost” learns to navigate the business of show business all over again.
How creative folks are putting a business buzzword into action.
A roundtable discussion on 21st-century arts management and training between the country’s leading theatrical entrepreneurs.
Theatre pros recall the doors they’ve opened by assisting (including a few better left closed).
For one young director, assisting is a tricky balancing act with a great view.
And it never has been, say pros who relish their assistants’ creativity and appetite for knowledge.
Assisting is a rite of passage for many artists. Are they getting ahead—or just getting coffee?
In Jan. 2012’s “Approaches to Theatre Training” issue, we ask directors, actors, and writers what it means–and how it feels–to be an assistant.
From Lecoq and Laban to Michael Chekhov and Suzuki, U.S. movement training derives its strength and purpose from abroad.