The Real Malloy
The composer behind ‘Great Comet’ and ‘Ghost Quartet’ makes music into theatre, and vice versa.
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The composer behind ‘Great Comet’ and ‘Ghost Quartet’ makes music into theatre, and vice versa.
The designer, who has four shows on Broadway right now, relishes cross-disciplinary collaboration.
Family and time have something to do with how her new revival cracks open the great musical her uncle wrote with Sondheim.
Pits? What are those? Conductors take centerstage in three current Broadway shows.
Composer Stephen Flaherty and lyricist Lynn Ahrens talk about the musical’s long path to the stage.
The Tony-winning actress returns to the Broadway stage in ‘War Paint.’
When Waterwell discovered a Frank Loesser musical that hadn’t been performed since 1945, the company created a unique theatrical experience.
On this week’s podcast, we welcome playwright and former Marine Maurice Decaul to talk about why it’s important to tell war stories. Then the editors discuss the recent New York Times ‘Big River’ controversy.
War may feel like an abstraction to many of us, but the theatre can give its realities flesh and blood.
Psychological trauma is the subject of most plays about service members. Does this represent most veterans’ reality, or does it further complicate their reentry?