Sex, Politics, Guarded Optimism: A Report From Kraków’s Divine Comedy
Theatre in Poland inevitably intersects with politics, and not only because it relies on state support.
Theatre in Poland inevitably intersects with politics, and not only because it relies on state support.
This correspondent returned eagerly to a place where theatre still matters in a troubled world, even if it can’t quite make sense of it.
The Latino Theater Company’s border-defying Encuentro, the fourth of its kind, gathered hundreds of Latine artists for productions, partnerships, and dialogues in multiple languages.
The creative team at TuYo Theatre on how and why they created ‘Pasale Pasale.’
High school theatre programs have often been sites of harm, particularly for femme and non-binary kids of color, but some are paving a better path forward.
In the series’ final installment, Cornerstone tours Larissa FastHorse’s play through the D/N/Lakota nations, with quietly, joyously transformative results—and learns to say goodbye.
Murielle Borst-Tarrant, Rhiana Yazzie, Opalanietet, and Sharon Day talk about the importance of storytelling for their communities.
After years of community work and some COVID setbacks, Cornerstone Theater assembles a cast, a set, and a tour for Larissa FastHorse’s ‘Wicoun.’
How 4 theatres develop work by writers of color with communities of color at the center.
How 6 THRIVE! recipient theatres have embraced new mediums and built new audiences.