The Subtext: Jeremy Cohen’s Magical Gifts
This month Brian talks to the producing artistic director of Playwrights’ Center in Minneapolis about supporting writers, following a unicorn, and teaching doctors to write.
This month Brian talks to the producing artistic director of Playwrights’ Center in Minneapolis about supporting writers, following a unicorn, and teaching doctors to write.
She succeeds Jonathan Shmidt Chapman as leader of the national organization for theatre made for children, young adults, and families.
For this episode we talk to playwright Karen Hartman, who currently has 3 plays making NYC premieres in 59E59’s first VOLT Festival.
Amy Freed, Julia Izumi, and Benjamin Benne have received commissions in the theatre’s 20×30: Reimagining the Anthropocene project.
The Actors’ Career Stability Initiative will grant relief to actors who join the company and have a minimum of $10,000 in student debt.
From Edwin Booth’s Richard III to the Federal Dance Project, from ‘Fefu and Her Friends’ to Odd Fellows Hall, this month featured some remarkable characters.
The finalists are Sylvia Khoury for ‘Selling Kabul’ and Kristina Wong for ‘Kristina Wong, Sweatshop Overlord.’
A joint program of In Other People’s Shoes Productions and Camp Bob Waldorf, the pilot will center on a new play by José Cruz González.
An interview about antisemitism, accountability, and Diet Coke with Emma Jude Harris, an American director-dramaturg based in London.
Each award comes with a $75,000 prize and a residency at California Institute of the Arts.