The Philadelphia company, which bills itself as the nation’s oldest theatre, faces accusations of wage inequity and disregard for artists’ safety.
Can sound journalism expose and end workplace abuse in the entertainment industry? If sources are ready to talk, she’s ready to report.
Artists of color have been placed in leadership positions across the U.S., but are they actually getting the respect and support they deserve?
Behind and beyond recent reckonings at the city’s theatres are countless tales of exploitation, harm, and silencing—but it’s not too late for change.
As students call out inequities in theatre training institutions, educators of color can find themselves with additional labor and scarce support.
A year after issuing them, theatre student and alumni organizers discuss the still unfolding results of their anti-racist calls to action for university training programs.
The database will provide industry-wide statistics on race, gender, and disability in the American theatre.
After producing an air-clearing gathering last June, the organizers of CREAT ATL still have their eyes on accountability for the city’s theatres.
When it comes to Shakespeare and Western classics, questions of legacy and belonging get raised when Black men take the stage—and the answers are increasingly clear and powerful.
A former dancer, now on the board of the Performing Arts Alliance and Alternate ROOTS, Ramos is on a mission to redistribute the nation’s cultural bounty.