Does ‘Rhinoceros’ Still Have Its Charge?
Diane Paulus’s new staging at American Repertory Theater—starring John Turturro, Paul Giamatti, and Tatiana Maslany—promises a non-literal approach to Ionesco’s allegory about fascism.
Diane Paulus’s new staging at American Repertory Theater—starring John Turturro, Paul Giamatti, and Tatiana Maslany—promises a non-literal approach to Ionesco’s allegory about fascism.
The first production-side standard for hair in theatre, film, and TV aims to address gaps in standards for treating textured hair with productions that have no hair lead, or unqualified hair leads.
A new musical from Jen Silverman and Dave Malloy seeks to bring the Oscar-nominated ballet thriller to the stage.
When the resident company model was more prevalent in U.S. theatres, actors had the chance to put down roots in a community. Is that dream over?
Theatre students from the class of 2024 tell us how they’re faring in a changing market.
The author of a new musical based on a book about facial difference writes about how the show took its unique shape and gathered its like-minded team.
Ahead of a fall tour of the new concert musical ‘Dear Everything,’ V (formerly Eve Ensler) reflects on the climate change crisis, the ‘vagina that could,’ and her vision for collective action through theatre.
After years of wrenching change, the nonprofit theatre sector can forge ahead by staying connected to its core values of artistic expression, community engagement, and lasting impact.
In staging a revolution and its confusing aftermath, the musical ‘We Live in Cairo’ also seeks to dramatize the everyday life of Arabs.
With so many adaptations, including the return of Elevator Repair Service’s ‘GATZ,’ are artists reinventing a classic—or destined to repeat the errors of the past?