By Playwrights Possessed, Namely Sam and Eugene
An O’Neill biography puts the drama centerstage, while a tantalizing compendium of Beckett-iana largely elides it.
An O’Neill biography puts the drama centerstage, while a tantalizing compendium of Beckett-iana largely elides it.
Both ‘Trans Scripts’ and ‘Orange Julius’ let trans people tell their own stories, though only one credits a trans playwright.
It’s not just about talkbacks at the small Boston theatre—it’s about creating safe spaces for engagement with often uncomfortable work.
Anna Deavere Smith, Bill Rauch, and Jo Bonney will return to the theatre to perform and direct.
One of the world’s great Shakespearean actors reconnects with his youth on a frozen ice lake in his new play.
The electro-pop musical is challenging traditional theatre barriers in content, design, and architecture.
TCG celebrates Brian Dennehy and American Theatre magazine with an evening of celebrations and performances.
Quinn will bring her experience in arts management and operations to the American Repertory Theater in the leadership role.
From a car-driven opera in L.A. to a roller coaster musical in Chicago, from education projects to exciting turnovers, fall is busting out all over.
The indie Americana musical spans time and space, but its story hits close to home for its author.