The grants will give extra rehearsal time for 10 productions of new works.
Theatre ought to grow our moral imagination in a time of crisis. How do we get there—and who is ‘we’?
Revisiting MFA graduates from the ’90s, insights into Twin Cities leadership transitions, plus an in-depth interview with composer/lyricist Lin-Manuel Miranda.
Geidt was a founding member of both the Yale Repertory Theatre and American Repertory Theater.
Actors are subject to both the pleasures of imitation and the rigors of an exalted calling—an excerpt from “Letters to a Young Actor.”
Rounding out their first year since graduation, members of ART’s class of 1995 find reading and spirituality at the center of their new lives as actors.
Now graduated and out working as actors, members of ART’s class of 1995 find themselves walking the fine line between personal choice and professional serendipity.
An ART graduating class hits the pavement of NYC.
He’s playwright, director, theorist—and his own worst enemy.
In directing ‘Hamlet’ and ‘The Seagull’ in repertory at American Repertory Theatre, Ron Daniels finds parallels and contrasts that illuminate both works.