Executive Director’s January 2014: Captives of Illusion
From the Executive Director: why technical theatre training is so important.
From the Executive Director: why technical theatre training is so important.
Shape-shifting ensembles are surfacing on major U.S. stages, trailing new techniques and changing the playmaking rules.
Her new ‘Pullman Porter Blues’ celebrates an iconic slice of African-American history.
Plays for children as young as one? European artists lead the way, but U.S. companies are catching up.
The forecast is neither foul nor fair—and theatres are planning accordingly.
Starting out at TCG with a clear vision of theatre’s impact on community.
A continued recovery harbors some worrisome omens.
An interview with Melissa James Gibson about her play ‘Brooklyn Bridge.’
Theatres respond to uncertain weather with bright new ideas
Two decades ago, theatre for young people was just an ugly duckling. But look at it now!