Bill Pullman Plays Othello as a Stranger in a Strange Land (Norway)
Language and culture, not race, are the faultlines in a new adaptation of Shakespeare’s tragedy by Norwegian director Stein Winge.
Language and culture, not race, are the faultlines in a new adaptation of Shakespeare’s tragedy by Norwegian director Stein Winge.
The new 51% Preparedness Plan calls for SoCal theatres to lead the national charge toward greater diversity onstage, backstage and in the house.
With the new Paul Nicholson Arts Management Fellowship, OSF strives to get more diverse leaders into the pipeline.
From little black dresses to jeans, bicycles to balloons, six memorable reinventions of Stephen Sondheim and James Lapine’s “Into the Woods” from 2014 (not counting the movie).
A new staging of Madeleine L’Engle’s sci-fi classic is the newest entry in director Tracy Young’s genre-hopping, ensemble-focused career.
How Oregon Shakes is using coproductions to help create a body of American history plays.
Chicago Jeff Awards, Suzi Bass Awards and Ovation Awards lead a number of ceremonies and honors this month.
The Sandra Feinstein-Gamm Theatre rounds up $29,900 for a new teaching center, black playwright Ed Bullins is honored with his own season at the New Federal Theatre, and more from November’s news items.
A Texas playwright takes on an iconic Texas politician in ‘All the Way’ and ‘The Great Society,’ and finds a figure of Shakespearean—i.e., tragic—proportions.
David Farr’s ‘The Heart of Robin Hood’ and Greg Banks’s ‘Robin Hood’ render Sherwood Forest with tinges of feminism and Occupy Wall Street.