The State of the Play: A Critic Addresses the Theatre Nation
There’s no shortage of exciting new writing for the stage. But are we in a Golden Age of playwriting?
There’s no shortage of exciting new writing for the stage. But are we in a Golden Age of playwriting?
How this dedicated follower of no fashion and avatar of alternatives to the well-made play keeps it weird.
Tim Federle, author of ‘Better Nate Than Ever,’ talks about his journey from chorus boy to cowriter of the musical ‘Tuck Everlasting.’
Retiring from a creative calling that never really paid my bills has been much harder than I’d imagined—but it seems to have already happened anyway.
The 150 featured plays, by scribes ranging from Emily Mann to Will Eno, represent a stirring spectrum of dramatic voices.
In ‘The Train Driver,’ South Africa’s master dramatist wrestles with the fate of a poor family and what it means to him.
The acclaimed author of ‘Jerusalem’ talks about writing, relationships and his secret advice from Harold Pinter.