In a book excerpt, the seasoned playwright offers insights and advice, not only about how to write but about how to think about your writing productively.
Poised between a troubled but familiar past and the uncertain promise of a transformed future, is it any wonder we’re having trouble with the next act of our lives?
Dialogue is mostly a form of behavior and personal revelation usually accidental. Therein lies a drama, and a mystery.
Artistic leaders at the Playwright Realm writers’ service organization talk about how, when, and whether to send your work for consideration.
We asked a number of TCG-published authors which plays they’re reading—or not reading—during this time of crisis.
This disorienting global moment is not an intermission—it’s the main drama itself.
Where will we find the tools to forge a new way of learning and making theatre? They may already be in our hands.
A look at a new kind of graduate training, and at one versatile artist who’s taken the plunge.
The new ‘End of Play’ program aims to encourage playwrights to create new works in collaboration with communities in the month of March.
As the walls among mediums begin to tumble, so too the boundaries separating training programs.