Is this really the right time for a spate of male-authored, male-directed musicals about subservient women to come to Broadway?
Grappling with complex issues of representation, a multiethnic People’s Light staging offers a version for our fraught times.
The NY Times’ recent ‘Brief History of Gay Theatre’ was not so brief. So how did it manage to leave out so much gay history that wasn’t white and male?
I and others like me could lead our field to greater equity and inclusion, if we’re given the chance—and if we even want it.
The writer of ‘The Ghosts of Lote Bravo’ talks about embracing her heritage and depicting the pain of exploited women.
American theatre must embrace all body types, and stop shunning and shaming fat performers and their stories.
As the nation grows more diverse, theatre education needs to become less Eurocentric and more inclusive.
How a play about an infamous pair ignited a controversy—and a conversation—about race, rape, and history.
American theatres still have a habit of seeing Middle Eastern characters as embodying controversy rather than humanity.
With 20 major American theatres facing leadership transitions, boards and search firms have to do better than the status quo.