‘What the Constitution Means to Me’ Is Setting a Theatrical Precedent
Women and people of color, along with artistic originality, should not be considered commercial risks.
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Women and people of color, along with artistic originality, should not be considered commercial risks.
Iraqi immigrants and refugees living in Minnesota share their personal stories onstage.
At San Jose’s City Lights, engagement can mean theatregoers texting actors or partying with them onstage.
In a post-‘Moonlight’ world, writers like Michael R. Jackson and Jeremy O. Harris are making the case for LGBTQ stories that go beyond the gay white experience.
The father and son duo are performing in Joseph Dougherty’s historic two-hander this summer in West Virginia, and learn a lot about each other in the process.
What did I learn at this year’s TCG National Conference? Criticism and journalism may be facing a crisis, but I can be part of the solution.
With ‘Blue’ opening this week at Glimmerglass, the composer reflects on her approach to music and meaning, and leaks her ambition to make a musical film.
If people of color were able to speak freely in a theatrical space, what would we say? Jackie Sibblies Drury’s play offers a compelling answer.
3 facilities in rural Kentucky engaged residents in the ageless practice of playmaking.
Why the Tony-winning revival of R&H’s musical sounds more string-band country than traditional musical theatre.