The Diversity of ‘Anne Frank’
Grappling with complex issues of representation, a multiethnic People’s Light staging offers a version for our fraught times.
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Grappling with complex issues of representation, a multiethnic People’s Light staging offers a version for our fraught times.
There’s no escape for or from the tortured Tyrones, as Flock Theatre stages O’Neill’s masterpiece in the intimacy of his family’s historic cottage.
What gives this 19th-century Norwegian’s plays their lasting power? ‘Power’ is the operative word.
The Wisconsin-based theatre has brought performers with disabilities together to tell more authentic stories about the disabled experience.
The NY Times’ recent ‘Brief History of Gay Theatre’ was not so brief. So how did it manage to leave out so much gay history that wasn’t white and male?
Five credentialed writers have bucked the trend of arts journalism cutbacks to create a new review website.
Our nation’s Native history is all around us, if we would only pay attention. One place to look: at a rising generation of Native theatremakers.
Why three premieres in Oregon are a sign of the times—and a long time coming.
Native theatre in the U.S.’s two non-contiguous states, Alaska and Hawai‘i, shows resonant connections as well as telling differences.
After years of nurturing writers and performers, the work of L.A.’s Native American theatre is finally paying off.