The Singular Laura Eason
How the many facets of one theatre artist—adaptor, actor, artistic director—have forged a major playwriting voice.
How the many facets of one theatre artist—adaptor, actor, artistic director—have forged a major playwriting voice.
Theatremakers at this year’s TCG National conference gathered to face today’s challenges much as its host city, Chicago, always has: by getting down to business and building from below.
Tarell Alvin McCraney’s trio of profanely poetic ritual dramas signals the emergence of a major new voice.
This is the season when everyone wants a piece of Richard the Prolific.
Experienced mentors share notes—and spark a spate of provocative questions.
What’s more indispensable than an adviser in-the-know?
As-yet-untried strategies may be the key to maintaining artistic gains—even in the face of cutbacks and audience uncertainty
A round-table conversation between six actors who teach, including F. Murray Abraham, Gary Sinise, and Fiona Shaw.
There’s a revolution afoot in theatre design that takes its cue from the three-dimensional spaces of centuries past.
Now graduated and out working as actors, members of ART’s class of 1995 find themselves walking the fine line between personal choice and professional serendipity.