Theatrical Mustang: For Taylor Adams, All Theatre Is Drag
The Omaha-based director talks about theatre’s collective brain, doing queer art on Catholic campuses, and how to break through the gender binary in casting.
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The Omaha-based director talks about theatre’s collective brain, doing queer art on Catholic campuses, and how to break through the gender binary in casting.
They take the honor for the as-yet-unproduced play ‘In the Amazon Warehouse Parking Lot,’ written for cast of 7 women, non-binary, and trans actors over 50.
When the busy director succeeds Daniella Topol in the position as of May 1, he will be the first transgender leader of a major non-LGBTQ-specific theatre.
This month Woodzick talks with the writer of ‘Amani’ about Black futures, expansive visions of gender, and how an archivist can be an activist.
Proposed drag bans aren’t really about drag but about transphobia and homophobia. And they aren’t just threatening marginalized people and their livelihoods—they’re also attacking an art and a form of free expression.
Cruising Utopia with the Good Gay Poet.
In casting Jonathan Larson’s musical with all TGNC actors, director Bo Frazier’s new BoHo Theatre production not only brings new layers to the show—it also provides an example for others to follow.
Playwright Jonathan Alexandratos reflects on the plethora of joys, pains, ownerships, references, anxieties, comforts, languages, forms, and more to be found in non-binary plays.
This month Woodzick talks to the multi-hyphenate, multi-spirited Nigerian American poet and performer about their new book ‘Black Body Amnesia.’
On this episode, Woodzick speaks to 2 non-binary actors currently performing in repertory at Utah Shakespeare Festival.