The Play Makers: How New American Writing Makes It to Broadway
Is drama dying on the Main Stem? Not if these writers (and some enterprising nonprofits) can help it.
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Is drama dying on the Main Stem? Not if these writers (and some enterprising nonprofits) can help it.
From public discussions to “empathy nights” to grass-roots activism, theatres across the country are responding to the current moment with resources at hand.
Many of TYA’s longtime aims—dramatizing thorny subjects, modeling diversity and tolerance—are more relevant than ever.
Richard Nelson’s newest cycle of plays views the presidential election through a painfully personal lens.
Eight early-career theatre leaders will recieve grants to work with mentors at TCG member theatres.
The writer and performer is back onstage with ‘Latin History for Morons.’
From the last Ziegfeld Follies to At the Foot of the Mountain’s rise to national prominence, July was a hot month for theatre.
The season features 2 new plays from Richard Nelson, the NYC premiere of Lynn Nottage’s ‘Sweat,’ and another David Byrne/Alex Timbers musical.
Refreshingly unlikable female protagonists, underrepresented voices, and an array of new American plays take the stage this month.
The prize awards dramatic literature inspired by the history of the United States.