From goofy musicals to meaty and instructive dramas, 4 shows stand in for the disparate ambitions and uses of theatre.
As the director of a new production at TFANA, Timpo joins the project of belatedly celebrating a great but largely overlooked American playwright.
Not every Jewish role needs to be cast with Jewish actors, but for plays with antisemitic elements, strong Jewish representation is a must.
The playwright of ‘Middletown’ and ‘Thom Pain’ talks about his new Ibsen adaptation, ‘Gnit,’ the often winding pursuit of the self, and the lessons of community.
How Fornés’s landmark play can teach us to imagine different ways of living, fighting, and making theatre.
A Zoom production by Bard College students gets a second life as a TFANA co-presentation, with sets, lights, props, and live editing.
Artists behind the 1977 premiere of María Irene Fornés’s groundbreaking play compare notes with artists from a new revival.
The subject of our September cover is a fiercely individual American master.
The author of ‘He Brought Her Heart Back in a Box’ talks about the play’s inspiration, her extraordinary parents, and her love for literature and old movies.
If people of color were able to speak freely in a theatrical space, what would we say? Jackie Sibblies Drury’s play offers a compelling answer.