A lesson for Albee’s estate from Tennessee Willams’s: Classics can survive reinvention. And while we’re reviving, how about more diversity, not less?
Zayd Dohrn’s new play at Playwrights’ Horizons has sparked a public conversation about equity, inclusion, and authorship.
It’s not just that the hit musical doesn’t tell my family’s story. It’s that it perpetuates a narrative in which the Vietnamese are victims, not fighters.
Apothetae and the Lark launch a two-year fellowship to nurture new voices and keep them in conversation.
What the blow-up over a Times review of ‘Big River’ says about this cultural moment—and what it may bode for the direction of criticism.
Rachel Dart’s Let Us Work Project aims to collect and share the whispered warnings that often come too quietly or too late.
Both ‘Trans Scripts’ and ‘Orange Julius’ let trans people tell their own stories, though only one credits a trans playwright.
Speaking up to bigotry and coming together in the face of uncertainty are two natural roles for the theatre.
When Cleveland Public Theatre noticed there were no Latinx theatres in town, they helped create Teatro Publico.
At its 5th conference and festival, the Asian-American theatre alliance shared enthusiasm for new work and new strategies, as well as its critiques of persistent inequities.