This Month in Theatre History
From the birth of actor Phyllis Frelich to the opening of Vancouver’s Arts Club Theatre Company and premieres by Albee and Nottage, February has been a significant month for theatre.
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From the birth of actor Phyllis Frelich to the opening of Vancouver’s Arts Club Theatre Company and premieres by Albee and Nottage, February has been a significant month for theatre.
This year, rather than airing a Super Bowl ad, the candy corporation hired Will Eno and Michael C. Hall to do a live, one-time-only musical. WTF?
Last year Erin Treadway broke bones and stopped the show, but now she’s back in Leegrid Stevens’s solo piece about a weightless trip to Mars.
It wasn’t quite the season of our discontent, but this year’s January festivals felt a bit less binge-able than usual, despite the high points.
The trailblazing director takes tension and turns it into art.
What happened when a beloved Michigan theatre for young audiences rebranded itself as a theatre for all.
The former NFL player’s latest stage venture is ‘Topdog/Underdog’ at Nashville Repertory Theatre.
How U.S.-trained director Jon Kellam has adapted global influences into a new theatrical form with the Italian company Bämsemble.
When working on a show with sensitive topics, such as an adaptation of ‘Dracula’ with violence and blood, a diversity advocate can help you work through the uncomfortable conversations.
Commonwealth Shakespeare Company has teamed with Google to make an immersive virtual-reality adaptation, viewed by a ghostly roving camera.