For Stan Foote, Theatre Was About Humanity and Growth
The longtime artistic director of Oregon Children’s Theatre lived out his passion for supporting the development of others, both onstage and off.
The longtime artistic director of Oregon Children’s Theatre lived out his passion for supporting the development of others, both onstage and off.
The Public Theater founder’s life and legacy, traced in a documentary on PBS, may be best understood, and built upon, as part of the U.S. regional theatre movement.
From ‘In Love and Warcraft’ to ‘Queen,’ she’s one of the theatre’s busiest and most versatile playwrights, though her success has come with its share of pain and disillusionment.
Ali is the second annual recipient of one of the nation’s largest nonprofit theatre commissions, which includes a cash prize of $35,000, a residency at the Hermitage, and a developmental workshop in a major arts capital.
Bringing together 300 artists from 8 U.S. communities, Live in America is banking on place-based performance as the radical way forward.
As more Deaf actors find space onstage, it’s time to make room for the community behind the scenes: as writers, directors, and producers.
This month Brian talks to the prolific and decorated playwright about her early struggles and triumphs, and that time she got stuck in the Lincoln Center bathroom.
Sarah Silverman’s musical memoir, delayed by pandemic and the death of a key collaborator, finally arrives at the Atlantic with its frank, irreverent spirit intact.
In riffing on works by Arthur Miller and Lorraine Hansberry, 3 new plays by Kimberly Belflower, Kelundra Smith, and Eleanor Burgess alternately explore and explode what was missing from the originals.
A director with bicoastal credits and extensive experience developing new work, she will succeed NYTW’s longtime leader Jim Nicola.