Reggie D. White on Taking the Reins of Woolly Mammoth
The D.C. theatre’s incoming artistic director reflects on his path to leadership, the importance of risk-taking, and possibilities for brave new theatre.
The D.C. theatre’s incoming artistic director reflects on his path to leadership, the importance of risk-taking, and possibilities for brave new theatre.
A new black box theatre and art space founded by local stage veterans is staging bilingual dramas and doing experimental residencies.
Reflections on craft, style, new voices, and more at National Alliance for Musical Theatre’s recent fall conference and Festival of New Musicals.
Two productions of York Walker’s play, inspired by the Robert Johnson myth, bring the story home.
Some venues are closed, others still open, and many have offered discounts to paused federal workers.
As his popular two-hander makes the rounds of U.S. theatres in the coming season, playwright Lloyd Suh reminisces on the play’s development and continued resonance in an anti-immigrant climate.
Ahead of a fall tour of the new concert musical ‘Dear Everything,’ V (formerly Eve Ensler) reflects on the climate change crisis, the ‘vagina that could,’ and her vision for collective action through theatre.
5 plays about the history of gender nonconformity created by TGNC artists have been commissioned, which the artists will spend the next 2 years developing.
Pre-show dinner and discussions at Round House Theatre are using Matthew López’s two-part epic to gather queer folks of various ages to reflect on community, care, and culture.
14 new Kilroys have been named to carry forward the group’s advocacy for gender parity in the theatre.