With a focus on experimental opera, Miguel Flores’s career has him looking forward toward a more human-centric way of working.
After more than a year of uncertainty and some hopeful planning, some theatres’ aspirations for a fall return are crashing into a fresh COVID surge.
As companies head toward reopening with an eye on institutional change, many former employees are feeling left behind.
A Lebanese theatremaker putting down roots in San Francisco, Assaf brings to her new job a global perspective and an open door.
What will the union’s new Open Access mean for the theatre industry? Here’s our stab at an explainer.
Part of the Goodman Theatre’s LIVE series, the new staging combines the best of theatre and live television for a unique theatrical outing.
Using the virtual platform Gather.Town, Lucky Plush Productions crafted a virtual city-wide arts festival that opened the door for potential future expansion.
Marisa Carr, Keelay Gipson, Isaac Gómez, and Stacey Rose will join the Chicago company as artistic director Ken-Matt Martin reimagines the program.
A new Philadelphia production offers a timely, often disconcerting look at Antoinette Nwandu’s play about police violence, soon headed for Broadway.
As students call out inequities in theatre training institutions, educators of color can find themselves with additional labor and scarce support.