Training With a Difference
As the nation grows more diverse, theatre education needs to become less Eurocentric and more inclusive.
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This column is designed to feature voices and issues that are underrepresented in the American theatre. Please send ideas and tips to American Theatre magazine at at@tcg.org.
As the nation grows more diverse, theatre education needs to become less Eurocentric and more inclusive.
Three attendees reflect on what they learned at the Berkshire Leadership Summit.
Three theatre critics of color who are used to being the only one who looks like them on the aisle seat.
The New York City company spotlights—and helps sell tickets for—shows that meet or surpass gender parity.
How a play about an infamous pair ignited a controversy—and a conversation—about race, rape, and history.
American theatres still have a habit of seeing Middle Eastern characters as embodying controversy rather than humanity.
With 20 major American theatres facing leadership transitions, boards and search firms have to do better than the status quo.
In today’s 140-character culture, dialogue and a recognition of nuance are more important than ever.
A study from Helicon Collaborative shows that 58 percent of arts funding goes to 2 percent of big-budget arts organizations—and it’s a trend that’s worsened.
Local theatre artists rise in revolt against Sun-Times critic Hedy Weiss, raising questions about racism and free speech.