Journey to a New World
How a cast of 181 very different performers came together—and went on an ‘Odyssey.’
How a cast of 181 very different performers came together—and went on an ‘Odyssey.’
Might a play find its true voice in a second language? Well, if the shoe fits…
Theatre pros recall the doors they’ve opened by assisting (including a few better left closed).
For one young director, assisting is a tricky balancing act with a great view.
Assisting is a rite of passage for many artists. Are they getting ahead—or just getting coffee?
In Jan. 2012’s “Approaches to Theatre Training” issue, we ask directors, actors, and writers what it means–and how it feels–to be an assistant.
The TEAM’s ‘Mission Drift’ charts the everyday apocalypses of American progress.
The versatile actor talks about typecasting, early theatrical memories, and his role in a new revival of ‘How I Learned to Drive.’
For the San Francisco ensemble Mugwumpin, the search for a temporary performance space gets twisty—and twistier.
Emily Mann and Chay Yew write and direct plays, and they run theatres. Not necessarily in that order.