People to Watch: Marga Gomez
The prolific solo performer talks about ‘Spanish Stew,’ a new show about her arrival in San Francisco in the 1970s.
The prolific solo performer talks about ‘Spanish Stew,’ a new show about her arrival in San Francisco in the 1970s.
This edition highlights immigrant theatremakers, ranging from performers to designers to the folks behind the scenes making sure productions make it to the stage.
Ahead of a fall tour of the new concert musical ‘Dear Everything,’ V (formerly Eve Ensler) reflects on the climate change crisis, the ‘vagina that could,’ and her vision for collective action through theatre.
‘Huzzah!’ at the Old Globe, the first major effort by the musical-writing couple since ‘Legally Blonde,’ is about a succession crisis at a family-run Renaissance Faire.
The New York-based scenic designer discusses her process, design partners, and theatre memories for our Summer 2025 issue.
The complete playscript of ‘Amm(i)gone’ appears in our Summer 2025 issue. Here the author talks with a crucial mentor about the work’s inspiration, production history, and meaning.
As one artistic director hands the reins to another, both reflect on the storied NYC theatre’s legacy, aesthetic, and future.
A seasoned regional theatre leader who currently serves as managing director of San Francisco’s ACT, Bielstein is at last taking a leadership role in her home state.
Ahead of our Summer 2025 issue release, we sit down with one of the stars of Broadway’s ‘Real Women Have Curves.’
Taylor Mac, whose new play ‘Prosperous Fools’ is loosely inspired by ‘Le Bourgeois gentilhomme,’ and Jeffrey Hatcher, who has a new adaptation of ‘The Imaginary Invalid,’ talk satire, philanthropy, and healthcare.