New Work Through New Eyes
Cassie Beck and Kent Nicholson reflect on their weekend at the South Carolina New Play Festival, an inspiring first for one and a delightful return for the other.
Coverage of theatres in Florida, Georgia, North Carolina, South Carolina, Virginia and West Virginia.
Cassie Beck and Kent Nicholson reflect on their weekend at the South Carolina New Play Festival, an inspiring first for one and a delightful return for the other.
Gov. Ron DeSantis’s veto of all arts and cultural funding in Florida is a crushing blow—and an opportunity to organize.
A hurricane is headed toward New York City courtesy of a revenge tour (of a sort) from Atlanta’s Vernal & Sere Theatre.
A seasoned expert in nonprofit management, she’ll leave the same post at Kansas City Rep to co-lead the D.C. theatre alongside artistic director Simon Godwin.
Meanwhile, artistic director of programming Rick Hammerly has been promoted to artistic director.
The Washington Post’s next theatre critic is excited to dive into a scene that’s new to him and to continue covering an industry in flux.
In 1968, one of the regional theatre’s founding mothers wrote an urgent memo to her board: It was long past time to integrate the company and diversify the audience.
The war in Gaza has put a fresh spotlight on the question of what theatres and artists should say or do in response.
The executive director has been with the company for 23 years.
The former Timber Lake Playhouse artistic director succeeds Matthew Scott Campbell in the position, who left to join Barter Theatre in December.