A Trip Around the Sun With Taylor Mac’s ‘24-Decade History’
Hour by hour, decade by decade, Mac broke down American history, music, himself, and us—and then built us back up again.
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Hour by hour, decade by decade, Mac broke down American history, music, himself, and us—and then built us back up again.
Even in a polarized age, the best dramatists are drawn to complications, not simple answers, as Richard Nelson’s Chekhovian plays prove.
How the story of Matthew Shepard’s murder in a small Wyoming town resonated in a nation where hate and hope are in heated contention.
There’s no shortage of exciting new writing for the stage. But are we in a Golden Age of playwriting?
If we can’t move past our bias toward theatre made in the U.S. and ratified in New York, we might as well just build a wall.
The authors of the latest installment have set the Time-Turner back to the 19th century.
How ‘The Parlour,’ my play about the hidden hierarchies of the restaurant business, has been served by MCC Theater’s Youth Company.
Every festival has its own special formula, but Fringe NYC’s subsidiary rights agreement may be a bridge too far.
How has this unlikely presidential candidate gotten so far? By setting the stage and giving the performance of a lifetime.
Wendy Wasserstein’s 1997 play feels more contemporary than it should, especially during this political season.