Frank Langella and Ben Whishaw, Bigger Than Life Onstage
Known for their work on screen, these two stage pros are in their element in ‘The Father’ and ‘The Crucible.’
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Known for their work on screen, these two stage pros are in their element in ‘The Father’ and ‘The Crucible.’
Playing Falstaff is a gift that keeps on giving, and not just because it’s among the greatest roles in the canon.
Sholem Asch’s contested Yiddish classic is grist for Vogel and Taichman’s meditative new play-within-a-play.
Amid a noisy world and an ephemeral culture, the intimacy and invigoration of theatre—particularly a small theatre like Soho Rep—is more essential than ever.
From mental discipline to neck strain, the Irish actress recalls what Beckett’s muse taught her about letting her mouth do all the work.
How theatre critics can use their words, and their status, to be more inclusive of both theatre artists and a diverse new generation of journalists.
A few farces aside, current plays in the Old Smoke offer no escape from a disturbing world.
It’s not only possible to confront young audiences with the full range of human emotions—it’s imperative.
From ‘Shuffle Along’ to ‘Hamilton,’ a look at how black music has shaped the sound of U.S. musical theatre.
The Goodman Theatre’s diversity and inclusion efforts, thankfully for me and others, include disability.