A count of 210 D.C. theatre productions showed that, despite modest gains, playwrights and directors remain mostly homogeneous.
The latest numbers show playwrights and directors edging close to parity, while most designers apart from costumers lag behind.
The dark tide we’re facing may break, though perhaps not before it’s managed to break things.
The momentum behind gender parity in the American theatre seems unmistakable, with 30 percent of all plays and 40 percent of new ones written by women.
The League of Professional Theatre Women report reveals that aside from costuming and stage management, many production jobs are still not close to gender parity.
The team-up will allow New York theatregoers to pick from shows with at least 50 percent female or trans people on the creative team.
Three attendees reflect on what they learned at the Berkshire Leadership Summit.
The New York City company spotlights—and helps sell tickets for—shows that meet or surpass gender parity.
The gender-parity tide may finally be turning in Britain and Ireland, but there’s still work to be done.
Once again, new plays far outnumber revivals and classics—and they’re the only sector in which the playwriting gender gap is narrowing.