The Company Way: What Happened to the Acting Ensemble Ideal
When the resident company model was more prevalent in U.S. theatres, actors had the chance to put down roots in a community. Is that dream over?
When the resident company model was more prevalent in U.S. theatres, actors had the chance to put down roots in a community. Is that dream over?
The D.C. theatre’s incoming artistic director reflects on his path to leadership, the importance of risk-taking, and possibilities for brave new theatre.
Theatres are stepping up for a national series of play readings by Indigenous writers, set for May 5, 2026, National Day of Awareness for Missing and Murdered Indigenous Women and Relatives.
Tarell Alvin McCraney’s new play for Arena Stage both celebrates and complicates hard-won marriage equality rights just as D.C. welcomes WorldPride festivities.
An experienced director and indpendent producer, she has helmed successful shows at the Rep in recent years.
How a cohort of artistic directors of color, recently hired at major U.S. theatres, have confronted unforeseen upheavals.
The current artistic director the Repertory Theatre of St. Louis, Sharif will succeed Molly Smith when the longtime AD retires in June.
Most theatres recognize that all-white seasons and casts are wrong. So why are administration, management, and staff still so homogeneous?
If we can’t have theatre until we can gather again safely, what are U.S. theatres and artists going to do in the meantime, and after?
How to build support for parent artists at U.S. theatres? First let’s build a movement.