Reggie D. White on Taking the Reins of Woolly Mammoth
The D.C. theatre’s incoming artistic director reflects on his path to leadership, the importance of risk-taking, and possibilities for brave new theatre.
The D.C. theatre’s incoming artistic director reflects on his path to leadership, the importance of risk-taking, and possibilities for brave new theatre.
As seen at a recent festival, theatre from Ukraine, Latvia, Germany, and Poland can’t help but be shadowed by war and retrenchment in Eastern Europe, though there is still joy and art to fight for as well.
Four theatre leaders give ‘vision statements’ in response to the question: How does the role of artistic director need to change in the 21st century?
The artistic director of the D.C. theatre will leave the institution he cofounded at the end of the 2017-18 season.
Robert O’Hara’s new play for Woolly Mammoth mixes Jacobean drama with political satire and the zombie apocalypse to make a statement about the undead way we live now.
Taking a page from the ensemble-devising book, Woolly Mammoth’s new series of workshops incorporates audience input into the play development process.
A brief look at theatre news across the country for the month of September.