A West Coast premiere and a holiday tradition headline the company’s season.
For their version of “Phantom of the Opera,” Vox Lumiere combined steampunk and silent film, and no white mask.
An historic gathering of Latina/o theatremakers put the focus firmly on the work and let the politics—including the identity politics—emerge, or not, from there.
Laural Meade’s melodrama “Harry Thaw Hates Everybody” gets a revival at Shotgun Players.
From underground L.A. emerges an auteur with music in his veins.
The shock tactics of Reza Abdoh push audiences to the edge.