Human resources for a human-centered medium seem increasingly urgent, particularly in light of #MeToo.
Ashley Lee, who was on staff at The Hollywood Reporter for five years and now freelances from Los Angeles, said she usually finds herself “interviewing famous actors and other celebrities about their latest moneymaking projects.” So it was something of a departure for her to write about Ubuntu Theater Project in Oakland, Calif., where last season the company gambled on a “pay as you can” subscription model, with surprising success. “I loved writing about Ubuntu’s admirable efforts to make their programming more accessible,” Lee said.…
Meet the driving force behind the institution that would become Milwaukee Repertory Theater.
Many theatres consider ‘excellence’ a priority, even a mission. But what do we mean by that word?
Theatre practitioners met in Milwaukee for the Intersections Summit, a three-day conference on community justice work. What did they take home with them?
Our engagement efforts will fall short if we don’t ask who we’re serving and why—and consider a new model to reach new goals.
An EDI consciousness is already fundamental to the work of some theatre practitioners, but it has expanded exponentially.
This month, playwright Brian James Polak travels to Milwaukee, Wisc., to interview Catherine Trieschmann, the writer of ‘How the World Began’ and ‘One House Over.’
The season will feature 15 productions, from premieres to contemporary classics and musicals.
Three theatres that didn’t let a crisis stop them—or go to waste.